DON’T BE DUMB investigates how
everyday purchases slide from
isolated transactions into sustained
transactional relationships. Drawing
from the psychology of consumerism,
the project frames this shift as a form
of psychological robbery, a system
subtly organized and operated by
corporations and market infrastructures,
where value extraction extends beyond
money into attention, behavior, and
identity. What begins as a single
exchange gradually becomes patterns
of repetition, dependency, and
normalization, sequentially transforming
psychological capture into material
consequence.
Transactions are no longer neutral; they become mechanisms that script behavior, reinforce desire, and reorient personal agency toward systems of continuous consumption. Methodologically, the project employs a publication composed of a fully redesigned system for interpreting receipts, leveraging their ephemerality and dense data structure to dramatize accumulation, waste, and repetition. Receipts, typically discarded, are reframed as artifacts of behavioral evidence, exposing the otherwise invisible infrastructures and rhythms of consumption.
By coupling design’s sensory appeal with critical reflection, this work contributes to discourse on consumer culture by clarifying how routine purchases evolve into identity scripts, and how “proofs of purchase” can be read as social and psychological texts. Ultimately, the project seeks to refocus attention on priorities and intentions within a hyper-exorbitant marketplace, offering a concrete, affective encounter with the layered costs—material, psychological, and human—of persistent over-consumption.
Transactions are no longer neutral; they become mechanisms that script behavior, reinforce desire, and reorient personal agency toward systems of continuous consumption. Methodologically, the project employs a publication composed of a fully redesigned system for interpreting receipts, leveraging their ephemerality and dense data structure to dramatize accumulation, waste, and repetition. Receipts, typically discarded, are reframed as artifacts of behavioral evidence, exposing the otherwise invisible infrastructures and rhythms of consumption.
By coupling design’s sensory appeal with critical reflection, this work contributes to discourse on consumer culture by clarifying how routine purchases evolve into identity scripts, and how “proofs of purchase” can be read as social and psychological texts. Ultimately, the project seeks to refocus attention on priorities and intentions within a hyper-exorbitant marketplace, offering a concrete, affective encounter with the layered costs—material, psychological, and human—of persistent over-consumption.